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James Gould Cozzens - American Writers 58: University of Minnesota Pamphlets on American Writers

Product Details About the Author. About the Author Granville Hicks was the author of several books of fiction and nonfiction. Average Review. Write a Review.

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University of Minnesota Pamphlets on American Writers

Vincent Millay: University of Minnesota Pamphlets. Vincent Millay was first published in Minnesota Archive Editions uses digital technology Who is to say that one day something like that might happen to one of us? We wonder how we might act.

But the cold clear fact is that no matter how astonishing the story, there is no guarantee that it will be interesting writing. Many writers of nonfiction, particularly in the ever-burgeoning category of memoir, seem to believe the strength of their subject is enough to keep the reader captivated. Not so. Or, often enough, not so.


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So, the fact that something actually happened is both the boon and the bane of creative nonfiction. But it really happened. However, the fact of a crash in the Andes, or a climb up Everest, or a battle against cancer, or living under a cruel and repressive government, is not enough to make the writing good.

In too many cases, the subject matter can work against the writer.

James Gould Cozzens - American Writers 58 : University of Minnesota Pamphlets on American Writers

It can lull the writer into a false sense of literary security. Many works of nonfiction actually do a good job with this. This probably has a lot to do with the fact that so much of it takes place outside—or in houses or cabins or tents in or near the wilderness.


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I think memoirists need pay heed here. Setting the scene precisely and well is too often overlooked in memoir.

James Gould Cozzens - University Of Pikeville

But we—the readers—want to be grounded. We want to know where we are. Not only that, it is so often the case in nonfiction that the scene itself is a kind of character. Capote takes pains right at the beginning of his book to set the scene of his multiple murders on the plains and wheat fields of the Midwest. I think the movies of his book were influenced by this emphasis, as well.

Photography can help here, as well. The people are heartbreaking, yes, and some will stay with you until the day you die. But look at the setting, look at the scene, look at the black and white photographs of the houses and the rooms and the porches these people lived in.